John Seabright – The Song Machine: Inside the Hit Factory
Pop music is a very different world than the DIY rock band environment I grew up in. Where I come from, bands are expected to write, record, and perform their own material, book their own shows, and sometimes even run their own record labels. Can-do idealism and youthful romance are integral to the indie scene. The pop world is downright cynical in comparison. Some of the world’s most successful hitmakers hold in active contempt the view of music as art and self-expression.
But there are also some economics lessons here, particularly in division of labor.
Some pop specialists write only beats and backing tracks. Others write only vocal melodies, or instrumental hooks. Still others only write lyrics. The performers for the most part are only performers, though that is its own specialized skill set. Other specialists focus on choreography, stage shows, publicity, and so on.
The pop music industry also provides a lesson in globalization. Many of the top pop songwriters come from Sweden, the business side is focused in LA and New York, and the performers come from around the world. Orlando, of all places, is becoming a hotspot for talent scouts, due in part to Disney’s large presence there. This book is an enjoyable read, and for this hobbyist musician, a look into an alien world.