Just as German seems to have a word for just about every feeling or situation, English and Latin seem to have a word for just about every way to use words. Forsyth knows not just how to use English’s many figures of speech, from metonomy to assonance, but he knows their names—most of which this reader has already forgotten again.
He is also very funny. This book is less about improving one’s writing, and more about having fun with language while admiring how crafty some of its best practitioners can be. Forsyth has a way of making fun of Shakespeare while showing how truly talented he was. He also doesn’t confine himself to stuffy classics in his examples, and uses references to popular music and recent movies even younger readers would be familiar with. This book is short, reads easily, and Forsyth’s sly, ever-present humor makes for an entertaining read. Hopefully the reader also gets a sense of how to avoid writing the kind of purple prose Forsyth might mock.